Here’s a link to the Tropical Punch blog hop as posted to the Dazzle-it blog today. Enjoy!
I am pleased to be part of my first blog hop and welcome you to my space. My blogs often show a step-by-step review of my creative process and this one is no different.
When creating, I usually start with a pile of components that have some cohesiveness in colour but have a variety of textures, sizes and material. Inspiration can come at the strangest times, however, and this time was no exception. I’d been meditating on the hot, Brazilian Carnival colour of the beads I received and thought of the costumes that are worn in Carnival parades that reveal much but strategically cover important bits. One morning last week I woke up after seeing a net of these jewels in my mind and I knew that I would use the French knitter to showcase the beads. I also wanted to create a necklace that would be evocative of the sinuous vines that wind around trees in the jungle.
French knitting in progress
Using Tropical Punch components in the French knitter
As you can see, above, the beads came through on the inside of the knitting but I popped them to the outside afterwards (see detail below). This is 26 gauge copper wire.
Close up of knitting and beads popped to stand up on outside of wire
I put 16 gauge copper wire down the centre of the tubing, so I would be able to shape it and have it hold that shape. The wire ends were paddled on my bench block so I could punch a hole in them and affix the yellow lucite flower to one end and the green flower to the other. The green flower’s petals are wired through a central component.
This photo is a bit dark but you can see the paddled wire ends
I pulled the French knitted wire piece over the wired tubing and belled out the ends into a trumpet shape. I then shaped the tube-covered 16 gauge wire to sit around the neck and affixed the flowers to each end.
This Tropical Punch creation will add fashion fun to any sexy summer neckline.
Net of Jewels
Wear it any way you want!
The most memorable class I took at Bead and Button has to be Hinges and Portholes with Mary Hettmansperger. Mary is a wonderful, patient and generous teacher and her creativity is inspiring. In her day-long class, we were encouraged to play, experiment and innovate. She demoed her basic techniques then we were let loose to create. I worked away at my desk at the back, moving from torching station to the tool station then to a side table where we could plunder additions to our work from her boxes and boxes of beads, metal pieces, small gemstones and rivets. What fun.
I tend to teach the same way, so I found her class very comfortable. I put some amazing patina, using a variety of methods she shared, on the copper provided and I brought lots home to continue playing. In class I finished one piece, which is a meditation on the concept of circle contained in a square. The metal has a dimpled hammered finish, circles and blobs of heat-created patina, portholes that reveal a mother and child, and randomly-placed holes and rivets. I was so thrilled when Mary sat down beside me to say how much she liked the design of my piece. Here it is.
circled portholes and hinges
inside my portholes and hinges project
So I took pictures of Mary’s samples for inspiration. You can also find inspiration in her books Heat Color Set and Fire
and Mixed Metal Jewelry Workshop
, which are my favourites.
Do you think I should work out a project to teach? Let me know what you think.
work by Mary Hettmansperger
wow you can own a Mary Hett work for under $75!
portholes and hinges class samples
more class samples from portholes and hinges
What a wonderful week! There’s nothing better than a road trip with great friends that culminates in amazing learning opportunities, shopping fun and reunions with old friends. It’s always exhausting, exhilarating and elevating.
I have so much to share but here’s a quick overview of some of my fave things.
I made a great spinner ring with Robyn Cornelius. She offers this sold-out class every year.
Spinner ring I made in Robyn Cornelius’ class
I adored the freeform style espoused by Mary Hettmansperger and soared creatively in her Portholes and Hinges class. I treated a lot of metals and have ideas to finish four or five more riffs on this design. I’ll blog about that at a later date, no doubt.
Front of portholes and hinges necklace
Inside portholes and hinges
Learned a whole lot about enamelling, returning to learn how to raku enamel with Steven James and finally tackling flame immersion enamelling with Debora Mauser. This is the pulling station for flame enamelling. See a few enamelled headpins to the left. We then moved on to the flat metal and filigree beads.
Bead pulling station
I absolutely adored raku enamelling and can’t wait to create projects to teach how easy it is to achieve these organic beauties.
And here’s the gorgeous raku ceramic pieces I got from MakuStudio, one of a kind pieces by Marianne Kasparian.
More to come!